![]() The landing of Apollo 11 on the surface of the moon on 20 Jwas, quite simply, the biggest thing that had ever happened. The 2019 documentary enlivens the ‘real footage’ by reproducing the actual moon landing in high-resolution digital scans that are fully immersive. In the CNN documentary Apollo 11 (2019), unseen footage reveals the visual motifs, cues and tropes that have informed films and stories over the past half-century, including the 12-part HBO mini-series From the Earth to the Moon (1998), and the 1996 Apollo 11 docudrama, which followed from the Apollo 13 film made in 1995, starring Tom Hanks. The moon landing has offered a visual architecture of the modern spectacle. For scholars of visual media and cultural studies, interest is in how the spectacle of the moon landing works, with respect to America and the global mediascape in the late 1960s, and the ongoing effects of the spectacle on culture and representation in our contemporary lives. The landing of Apollo 11 on the surface of the moon on 20 July 1969 was, quite simply, the biggest thing that had ever happened. Leonard exclaims “Don't you see what we've done? It's the only definitive proof that there are man-made objects on the moon placed there by a species that only 60 years before had just invented the airplane.” They have connected with something spectacular. ![]() ![]() In the sitcom Big Bang Theory, the science geeks direct a laser onto a retro-reflector left by Neil Armstrong on the surface of the moon. Spectacles are large events that demand universal focus, and they have the power to fixate and transform cultures. Mankind's giant leap: Neil Armstrong became the first human to walk on the Moon on 20 July 1969. The cultural impact of the moon landing is all around us, forever a reminder of spectacular possibilities.
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